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Context: Why is this project important? Negotiations around intellectual property rights (IPR) are increasingly a key factor in international trade and an important item on the international development agenda. International treaties such as the World Trade Organization's Trade Related Intellectual Property Systems (WHO-TRIPS) agreement, as well as bilateral (free trade) agreements, have focused on strengthening and expanding international property protection of films, music, books, computer software and online services against infringement. Generally, the infringement of IPR has been termed 'piracy', with the TRIPS agreement defining pirated goods as "goods which are copies made without the consent of the right holder or person duly authorized by the right holder in the country of production." At present, the primary reference on piracy used in trade discussions consists of reports produced by the International Intellectual Property Alliance (IIPA) - an association of United States copyright industries. It can be argued that these reports are narrow accounts of media piracy presenting an economy of alleged loss to northern-based multi-nationals at the hands of southern pirates, and that they perpetuate a negotiating advantage for the rich economies who lead the call for enforcement of the global intellectual property regime. However, there is the need to question the basic premises behind the concepts of piracy and how it is accounted for. Amongst the key questions that still need to be better understood, the most prominent ones are: Is the 'one pirated item equals one loss in sale' logic a flawed one in measuring media piracy? What are alternative frameworks for assessing the costs and benefits of piracy? Can piracy be considered a form of market correction, countering global, uniform pricing strategies of large IP producers? What values can be attributed to piracy when taken as a quotidian and international form of access to knowledge and culture? What has been and will be the impact of digital reproduction/distribution, particularly as Internet connectivity reaches the masses? How is the discourse and enforcement around piracy formed and played out for the public? This multi-country comparative study of media piracy will attempt to answer some of these questions. The Project: How does this initiative address the development problem? This project is based on the premise that piracy remains a development rather than a criminal issue, i.e. the fact that knowledge commodities in the developing world are primarily - and in some cases exclusively - mediated through pirate markets. This is especially true of enabling tools such as software and the increasingly digital record of cultural heritage. The research teams hope to shift our focus by providing an understanding of how media piracy is access to knowledge/culture (for much of the developing world) and examining livelihood dimensions in the calculus of cost of media piracy. The project aims to provide a body of evidence that can be informative for policy makers and bring alternative considerations into the debates over media piracy Objectives:
Development Impact This research brings fresh angles into scholarship concerned with the cultural, social, and economic significance of media piracy, particularly in the digital domain. It is hoped that the methodology developed in this project will be replicated in other countries beyond the original set, to expand regional data collection and our understanding of the issues, especially for insights into piracy at the trans-national level. This could become a community of international researchers on issues of media piracy. Outputs & Website |
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